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Each summer in London, England, the BBC Symphony Orchestra and Chorus team up with the classical music world's finest instrumental and vocal soloists for a remarkable two-month series of daily performances, called "The Promenade Concerts"affectionately known as "The Proms." The final concert of this series, "The Last Night of the Proms", is always something very special to British classical music lovers. The audience dresses in patriotic costumes with bowler hats, suits, dresses, etc, all adorned with the British flagthe Union Jack. During the first half of the concert, the audience is deceptively quiet and attentive, which of course, is very right and proper behavior for most classical music concerts. But, in the second half, they are encouraged to let their nationalistic juices flow freely as they join the huge choir in performances of rousing, patriotic, nationalistic songs such as Sir Hubert Parry's Jerusalem beginning with the words, "And did those feet in ancient times walk upon England's mountains green?"; Sir Edward Elgar's "Pomp and Circumstance March, number 1" beginning with the words, "Land of hope and glory"; a medley of traditional sea songs arranged by Sir Henry Wood, featuring the well-known, "Rule Britannia, Britannia rules the waves, Britons never, never shall be slaves"; and the concert concludes with a raising of the rafters with the singing of the British national anthem "God Save the Queen." I would like to compare the patriotic, nationalistic songs of modern times, and of Bible times, with some other biblical songs, one of which might well be the national anthem of the Kingdom of God. Although these patriotic British songs, when they are sung at the Last Night of the Proms, are sung somewhat tongue-in-cheek and are laced with a good deal of humor, the nationalistic pride of the singers really does shine through. The words of these anthems and the enthusiastic voices of the singers never fail to bring a lump to my throat, and a tear to my eye. As I was doing some research for this split sermon, I looked up the words to the national anthems of all the countries where we have CGG members:
I would like to send greetings to all of those brethren around the world. I wish I could read the words to those rousing anthems. But unfortunately, I cannot for lack of time. However, I found two interesting threads that are common to the words of many of these anthems. One of these threads is that many of them have militaristic undertones, and the second is that many of them call on God. Most of the militaristic undertones are quite low-key. One example is the Zambian anthem which declares that our Zambian friends are, "Victors in the struggle for the right, we have won freedom's fight". Another is in our Canadian national anthem which proudly concludes, "O Canada, We stand on guard for thee". There are others, like the French Marseillaise which are out-and-out ferocious: "To arms, oh citizens! Form up in crowded ranks! March on, march on! And drench our fields with their tainted blood!"The second thread is that many of these national anthems call on God, asking Him for His protection, victory, or might. But even here, we perceive militaristic undertones! Yes, the words of our anthems are grand, and their performances are wonderful, magnificent, and stirring. But in calling on God, we may be sure that most modern singers lack true sincerity when they sing them. Of course they do! They do not know God! They may call on Him in the words of their anthems; but they refuse to honour and obey Him. The prophet Ezekiel was inspired to foresee this trait in the people of Israel, both ancient and modern:
Like their modern descendants, the ancient Israelites were very proud of their nation, and they often expressed their pride in song. In Exodus 15, Moses led the Israelites in a marvelous song of thanksgiving and praise to God after He had brought them through the Red Sea.
Here we see the same ingredients as in our modern national anthems: God and war. The difference, though, is that in this case, it was God who did all the necessary fighting. Shortly after the singing of Moses' song, later in the same chapter, we read of another song (and a dance) by his sister Miriam and a choir of Israelite women, in which they echo Moses' words. The scriptures contain both happy nationalistic songs, and more serious ones. There is an example of one of the serious songs when just before Moses went up Mount Nebo to die, after giving his final instructions to the children of Israel, he sang a duet with Joshua. It was a very long song which was actually written by God and, far from being joyous; it contained some serious, dire warnings to Israel:
This second song of Moses is 43 verses long, way too long for us to read now. It appears that God and the Israelites liked long songs! Another example of a long song is the 30-verse song of Deborah, in which she gives thanks to God for the deliverance of Israel from the Canaanites. When you have time, you can read it in Judges 5. As Moses sang a long song just before his death, so shortly before David's death, after God had delivered him from various enemies, David sang a long, inspiring, 50-verse song to God. You can read its words in II Samuel 23. From our regular, weekly hymn-singing, we all know that the book of Psalms is filled with marvelous songssome written by David, some written by others. Many of them are both patriotic for Israel and filled with praise for God. At the time the Psalms were composed, the Israelites' nationalism and praise of God were considered to be one and the same thing. As Old Testament Israel wasat least for part of its historymaking some attempt at being the people of God, its nationalism and patriotism was inseparable from the worship in the tabernacle andlaterHis temple. Singing and instrumental music were both very important in God's house. Whole families of musically-talented Levites were set apart just for musical worship.
There were two hundred and eighty-eight temple musicians! That is a pretty good-sized orchestra and chorus, even by modern standards! After Judah returned from exile in Babylon, the restorers of the temple thought it important also to re-establish the musical services. We can read of this in the Nehemiah 12. So we see that the people of Israelboth ancient and modernhave continued singing their proud anthems and nationalistic songs throughout the centuries. But God warned them, and He warns us today, that there is a time coming when He will put a stop to the singing. He will put a stop to the singing of our proud songs and anthems because of the grievous sins of our nations.
Note the term "your songs." Because of the sins of Israel these are not God's songs any more. Our national anthems are not God's songs any more. Through the prophet Amos, God tells our nations, "Take away from Me the noise of your songs", and "I will turn your songs into lamentation". Israel will go through an era of no music. But thankfully that dreadful, non-musical era will be very short-lived. As God restores the people of Israel to their homeland, new songs of national joy will be composed and sung.
The joyful and soothing words of these new anthems will relegate the old vainglorious, war-like topics to where they belongfirmly in the past! The accent will no longer be on human military strength, but rather will encourage and emphasize trust in the might of God, God's salvation, righteousness, truth, and peace. That is the wonderful time that the people of God's church are anticipating and celebrating this week. That time when war will finally almost be a thing of the past (except, of course, for Satan's final attempts at the end of the Millennium). At that time, the newly Spirit-born children of God will give a "repeat performance" of one of the songs of Moses:
Perhaps you worry that you do not have a good singing voice for that performance? Do not worry. I am sure God will give you one! The Scriptures indicate that at Christ's return all of us will be specially chosen and given the ability to be part of a very elite chorale. But which "song of Moses" will we sing? Will we sing the joyous one from Exodus 15 or his song of dire warning from Deuteronomy 31? It might be both. I think probably it would be the first one, the joyous one. As God gave ancient Israel a great, miraculous victory over Egypt's might, so He will give spiritual Israel an even greater, an even more miraculous victorythis time over the Beast and the Dragon which empowers it. But John's vision tells us that, in addition to the song of Moses, we will also sing the "song of the Lamb". God tells us the words of this song; and just imagine how incomparably fabulous the music will be! We may wonder if both of these songs will be sung togetherdifferent words, yes, but both in total harmony with one anotherlike a vast and magnificent, multi-part fugue by Johannes Sebastian Bach.. Now what about God's "new songs? There are seven mentions of "new songs" in the Old Testament but these two songs mentioned in the book of Revelation appear to be extra-special ones.
These words remind one of the glorious choruses in the closing pages of Handel's "Messiah". Here is the second of God's new songs:
This one seems to be a different "new song" to the other one. Revelation 5 quotes the words to its new song. But in this one in Revelation 14, only the elite choir of the "144,000 redeemed" may learn its words and music. Perhaps one of these new songs will be the official national anthem of the Kingdom of God! In that day, God's National Anthem will not be sung out of haughty, militaristic nationalism, but will rather be sung in true worship and honour to the great God and to His Firstborn Son, Jesus Christ. If it really is a "national" anthem, what will the "nation" be? Yes, physical Israel is to be restored. But the foremost "nation" will be spiritual Israel which will be made up of the Family of God, the very Kingdom of God! It is inspiring for us to use our God-given imaginations in a proper way, and to speculate on subjects such as this. Perhaps God will choose the very best singers from among all His holy angels. We cannot visualize how absolutely fantastic this is going to be. Perhaps, like the organizers of The Proms, He will team them up with the best singers and musicians of His human and resurrected children! And, again, what might the words be to that National Anthem of the Kingdom of God? Will it be the song of Moses, will it be the words to the song of the Lamb, or will it be one of God's new songs, or will it perhaps be something similar to one of the wonderful songs of praise that we listen to in Handel's Messiah. All of the last pages of Handel's Messiah are quoted from various scriptures in the book of Revelation. Still with the closing bars of Handel's Messiah please turn to Revelation 5, and we will finish on these inspiring, exciting, and wonderful words:
So be it! Amen! JHP/pp/drm
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